Is This The End Of Online Radio Streaming?

Is This The End Of Online Radio Streaming?

Online streaming of radio broadcasts may be a thing of the past after the Full Federal Court this week handed down a ruling that will result in radio stations paying higher royalties to the recording industry. What happens next?

Radio picture from Shutterstock

The Phonographic Performance Company of Australia (PPCA), on behalf of recording artists and music labels, won a declaration that internet simulcasts of radio programs fall outside the definition of a “broadcast” under the Copyright Act and are therefore not covered by existing licences granted to commercial radio networks.

Following on from a failed High Court bid to increase licence fees, legal action was initiated in 2010 by PPCA to separate licensing for online radio programs from traditional broadcasts.

The PPCA’s purpose seems to be clear: to create a new revenue stream from online licence fees. This was at a time PPCA was aggressively pursuing increases in their revenues, such as fee increases of 4,729% for operators of cafes and gyms.

Meet The Players

The PPCA is one of a number of copyright collecting societies: when anyone plays recorded music such as a CD, MP3 or music video in public, permission must be obtained from the person or company that owns the copyright of that recording.

The PPCA represents many copyright holders — both record labels and individual artists. It is then the job of the PPCA to issue licenses for the public performance of recorded music, and to collect license fees and return those to the copyright holder.

Commercial Radio Australia (CRA) is the peak body representing commercial radio industry interests in Australia — it claims to represent 99 per cent of commercial radio stations.

In short, if you listen to commercial radio then the chances are the radio station is a member of CRA.

Let The Battle Commence

In 2000, on behalf of its members, CRA obtained an “umbrella” licence granting each member a licence to broadcast recorded music, and those arrangements remain in place today.

At the time, radio stations making their broadcasts available online was a new thing, and it’s likely online content was not contemplated as a threat in the context of the agreement.

During 2010 the PPCA claimed that a CRA member radio station — NovaFM — had breached copyright in a work managed by the PPCA.

The argument was that NovaFM had played a song that was both transmitted on the usual FM band and simultaneously made available on the internet. The PPCA claimed the broadcast licence issued to CRA members did not cover broadcasts also being made available online.

The PPCA based its claim of breach by referring to the wording of their agreement, which permitted members to broadcast licensed material. They went on to point out that making content available on the internet was not broadcasting, and therefore not covered under the terms of the licence.

When Is A Broadcast Not A Broadcast?

In September 2000 the then-Minister for Communications, IT and the Arts Richard Alston made a determination that excluded certain services being defined as a broadcast, namely:

a service that makes available television programs or radio programs using the internet, other than a service that delivers television programs or radio programs using the broadcasting services bands.

Making an adjustment for the double negative (making an exception to an exclusion in the determination), we might interpret this to include as a broadcast:

a service that makes available … radio programs using the internet and delivers … radio programs using the broadcasting services bands.

In February 2012, when this case was first brought before the Federal Court, Justice Foster agreed with CRA’s reasoning on this point and dismissed the PPCA’s case on the grounds that a simulcast radio program was a broadcast, whether delivered using radiowaves or online.

The Appeal To The Full Federal Court, Explained

Yesterday’s ruling by the Full Federal Court overturned last year’s single judge ruling. Justices Emmett, Besanko and Yates took up the argument put forward by PPCA relating to legislative reforms designed to regulate datacasting (adapting broadcast services to provide internet) as being the motivating intention behind the issue of Minister Alston’s determination.

On this basis, the judges considered that delivery of radio and television programs could be categorised in three ways:

  1. be delivered by the use of any means, including the broadcasting services bands
  2. be delivered or made available using the internet
  3. be delivered or made available using the internet and the broadcasting service bands

The Court found the radio program by NovaFM was supplied to the public by two simultaneous but separate services: the first being a traditional radio broadcast falling into the first category, and the online version fitting the second category, but accordingly not a broadcast.

Some Lingering Static

In accepting the PPCA’s interpretation of the ministerial determination being for the purpose of regulating datacasting, we encounter wild inconsistencies within the law.

Viewed through this lens of regulation of datacasting, the ministerial determination effectively makes any television or radio programs delivered over the internet fall into the category of a broadcast if the internet service over which it is delivered is a datacasting service (for example wireless internet using the analogue TV spectrum).

Yet the same television or radio programs delivered on any other form of internet access (such as ADSL broadband) is not a broadcast.

Effectively the ruling is saying that regulation is not applied on basis of content, or the originator of the content, but in how that content is delivered to a consumer, including distinguishing between methods of accessing the internet.

Regulating television and radio in this fashion simply cannot serve any useful purpose.

That said, if we consider the ministerial determination through a lens of regulating incumbent broadcasters while not stifling progress, efficiency and innovation, we find that radio and television programs can still be categorised in the same three ways. With the results being, respectively:

  1. incumbent broadcasters are caught and continue to be regulated
  2. “new media” services including YouTube, online movie and music services are not considered to be “broadcast” services, and so are not subject to broadcast regulation
  3. incumbent operators who simultaneously broadcast and stream their content are subject to technology-neutral regulation as broadcasters — without this provision, radio and television services would be subject to two distinct regulatory schemes. This may yield unexpected results — e.g. doubling of compliance costs, and doubling of sanctions for content which may breach a law

Stay Tuned

Due to the high stakes involved it will be very surprising if the CRA does not seek leave to appeal to the High Court.

Without a successful appeal against this court ruling, the PPCA is now in a position to demand fees above the present 1 per cent regulated fee from any radio station that makes its broadcast stream available online.

Given recent PPCA demands of huge increases in licence fees for other users of recorded music, a likely scenario is that many broadcasters will simply stop making their content available online.

Karl Schaffarczyk is a law student at the University of Canberra and previously ran the ISP Inspired Networking for 10 years. He does not work for, consult to, own shares in or receive funding from any company or organisation that would benefit from this article, and has no relevant affiliations.

The ConversationThis article was originally published at The Conversation. Read the original article.


  • Is This The End Of Online Radio Streaming? God I hope not, internet radio is the only really clear station in my town. The others either suck or have a very poor signal. I actually tune in to a station that’s around one hundred or more kilometres away if I can’t get the net broadcast.

  • We pay royalties just to have the radio on in the background at our office. I stopped feeling sorry for the artists and recording industry long ago. They write one song, and expect to ride the gravy train until they die. What if I save someone’s life, in the course of my usual occupation, then expect them, and everyone who enjoys their company or does business with them, to pay me royalties ad ininitum for the privilege. Ludicrous.

    • That’s a bit harsh toward musicians. That “one song” might be their sole commercial success in a lifetime of low-paid struggle. Look at Gotye – an overnight success after only 12 years.

  • How does this help broadcasting or the artists of the respective songs played? It doesn’t!!!!
    @ snowmonkey. Unless Gotye owns the right to their songs (and not some recording company or some other person) it means they could commercially release thousands of songs and never see over 90% of the revenue. Instead it legally stays with whoever holds the royalty rights. It doesn’t matter if a song is Gotye’s original creation and they perform it. What matters is who owns the rights to the song.
    I never listen to the radio any more but once in a while I will listen to radio that is being streamed. If broadcasters stop streaming online that means I’ll never hear any form of the radio. So it would be impossible to consider buying any music that the radio stations push at me. Not that I would buy music to begin with because I understand that if I buy a CD I am not helping the artist. I am only helping the fat cat record company’s which I despise.
    It is the same thing for broadcasting. The collection society’s in this country like PPCA and CRA don’t help the artist. They only help the royalty rights holder get a fatter wallet.

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