If you’ve ever relied on your camera’s white balancing algorithms, you know how imperfect they can be, but you’re not out of luck. Getting accurate colour balance with just about any camera is pretty easy with an 18 per cent grey card.
A Grey Card for Staged Photos
You might think it makes more sense to balance the white in your images, given that the term we use most often is “white balance”, but since we’re looking for all-around colour accuracy, the best balancer is grey. Why? It’s the average tone and it’s neutral. If you’re sampling the white for colour balance you’re just sampling the high end of the spectrum (or pure white, if your photo is overexposed). In fact, when your camera is white balancing it’s (generally) looking for a neutral grey area. The use of the 18% grey card is basically to tell your camera, “look, the neutral grey is over here!” Technology blog Tested explains how to use a grey card for a portrait photo:
Place the grey card where the subject will be, so the light hitting the grey card is the same as the light hitting the subject. If shooting a portrait, have the subject hold the grey card in front of their face for a test shot. When you process your photos later in Photoshop, look at the test shot. Enter the Image > Adjustments > Levels menu, and click on the middle eyedrop icon. Save the level adjustment, and then load it in every other photo under those lighting conditions. You’ve just colour corrected your shots with a grey card.
A Grey Card for Everyday Photos
If lighting conditions stay generally the same during the day, manually setting your camera’s white balance with a grey card should get you better, more accurate colour for all your shots. Just remember you’ll need to rebalance every time you move locations, or turn automatic white balancing back on if you’re feeling lazy.
Making a Grey Card
- An easy way to do this is open up Photoshop (or any image editor that can handle layers) and make a new document that’s sized at 8.5″ x 11″ and has a white background.
- Make a new layer and fill it with black.
- Reduce the opacity of that layer to 50%.
If your printer has a colour profile, you may want to switch to that before printing for more accurate results. I did this with a cheap laser printer, however, and it worked really well. My grey card was uneven and pretty horrible in general, but I still ended up with better and more accurate colour than the camera’s automatic white balance. A proper grey card is definitely better, but when you need something quick you can get by with even this fairly inaccurate method.
Of course, if you want to make a really accurate grey card you should go for it. There’s a great explanation of finding 18% grey on the photo.net forums that’ll help you get there.
For other great colour tips, check out our guide to getting the best colour out of your photos.
If you feel like giving this a shot, let us know how it goes in the comments (especially with before and after photos).